If you're an adult, you've
probably tried all the food there is to try in your part of the world. Oh sure,
there may be some you don't want to try, like stinky cheese or liverwurst, but
there's nothing new coming down the pike. Yes, someone cultivated orange
cauliflower and purple carrots but they still taste the same. So why bother
going to restaurants or trying new recipes? Because new combinations can create
something unique. Take Mexican Mole Sauce, for example. If someone presented
you with cocoa powder, peanut butter, onions and garlic, chopped tomatoes,
brown sugar, cinnamon, cloves, chili powder, smoked paprika and vegetable broth
all sloshing around on a plate and said bon appétit, you'd think they were
nuts. But if they took those unlikely ingredients and whipped up a rich,
fragrant mole sauce you would be licking the spoon and begging for more.
Similarly, there are a limited number of basic story plots
available to us. In his book, The Seven Basic Plots: Why We Tell Stories,
Christopher Booker declares there are seven plot types: Overcoming the Monster,
The Quest, The Voyage and Return, Rags to Riches, Rebirth, Comedy, and Tragedy.
Other writers claim there are twenty plots, or thirty-six, but they all agree
there's a finite number. What's a writer to do? New combinations, of course.
Suzanne Collins's inspiration for The Hunger Games came to her while channel
surfing on television. On one channel, she saw people competing on a reality
show and on another she saw footage of the invasion of Iraq. The two
"began to blur in this very unsettling way" and the idea for the book
was formed. Creativity, simply put, is connecting ideas that may seem
unrelated.
I draw inspiration from real events by collecting interesting news
articles. When I needed to come up with a plot for Malice in Miami, my latest
Jamie Quinn Cozy Mystery, I pulled out my stash of articles. From that pile I
concocted a plot that included: pythons invading the Everglades; veterans combatting
PTSD by hunting pythons; the sugar industry's monopoly and how they damage the
environment; the current immigration issues in the U.S.; birth defects caused
by pesticides; worker's compensation claims; a beautiful early-twentieth
century mansion in Miami built by an industrialist; art theft of rare books and
maps from university libraries; and Erin Brockovich. Turning all of that into a
coherent plot was like weaving with invisible thread. It was tricky!
To put yourself in a creative mood, immerse yourself in art.
Listen to music, visit a museum, read a literary masterpiece. You will be
inspired. Sometimes, taking a page from one of your favorite authors and just
typing it out can help rewire your brain. The key to creating is to remember
there are no dumb ideas. Really. Just start spitballing ideas and then ask what
if? Author Gregory Maguire looked at the classic The Wizard of Oz and asked:
what if the wicked witch was just misunderstood? What if she wasn't that
wicked? What if there's more to her story?
But don't stop there. Once you ask what if, you have to ask what
might happen next? Like spaghetti, throw it against the wall and see what
sticks. (Honestly, I've never tried that but it sounds like fun.) Open your
mind to possibilities, no matter how crazy or outlandish, and don't judge, just
let them flow. If you want a jumpstart, there are plot generators online.
They're like madlibs for story development. I get my best ideas in the shower
and the pool. I call it my water epiphany. If all else fails, soak your head
and let the ideas start growing. Speaking of unrelated things, I jumped from
Mole Sauce to creating a unique plot, you can't get more unrelated than that.
But you really should try Mole Sauce, it's the best!
**This post was originally published on the blog "I Read What
You Write" and is reprinted here with permission.
www.IReadWhatYouWrite.com
